The enduring relevance and heartache of Mysterious Skin
O n its release 20 years ago, Gregg Araki’s Mysterious Skin generated critical raves but reached only modest cultural saturation. That audiences we…
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The Battle For Laikipia review – captures a violent story as it happens
I n central Kenya, insidious warfare is playing out on the arid plains of Laikipia County, as roving indigenous cow herders referred to as “pastora…
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20 Hidden Gems at the 2024 BFI London Film Festival
W hen faced with the cinema deluge that is the programme for the London Film Festival, initial excitement can often give way to anxiety and then, p…
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A Different Man review – an atmospheric, idiosyncratic thriller
E dward (Sebastian Stan) knows what everyone thinks when they look at him. Having developed neurofibromatosis, a condition which causes large benig…
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A third predator in these woods: Gone Girl at 10
S lowly, the closed door hiding perpetrators of domestic violence and abuse away from prying eyes is creaking open. In 2017, the #MeToo movement em…
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Joker: Folie à Deux review – a grim karaoke session
T odd Phillips is quite insistent that Joker: Folie à Deux is not a musical. First at CinemaCon , then in an interview with Variety , the director …
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The Tokyo International Film Festival has unveiled its full line-up
T he Tokyo International Film Festival opens its doors once more for its 37th edition, kicking off on 28 October with the world premiere of Kazuya …
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