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Fjord review – absolute trash
Cristian Mungiu takes a mad pop at the Norwegian child services syste…
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Prima Facie review – falters despite best intentions
The lauded one-woman play receives a big screen adaptation with Cynth…
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Women on the Sidelines: Offside at 20
Jafar Panahi's daring political comedy – filmed during a real foo…
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The colour of confinement in Raise the Red Lantern
Zhang Yimou's 1996 drama utilises a spectrum of colours to reflec…
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Martin McDonagh: ‘Avoidance of sentiment is always paramount‘
Writing a follow-up to his beloved The Banshees of Inisherin was alwa…
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Wild Horse Nine review – a double act for the ages
A revitalising shot of pure entertainment from writer/director Martin…
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I Play Rocky – featherweight but fleetingly engaging
Peter Farrelly‘s dramatisation of Sly Stallone‘s journey to the big s…
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