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Wasteman review – an exceptionally gritty, claustrophobic prison drama
Cal McCau’s debut feature offers a rare realistic portrayal of the inescapable cycle of violence, trauma and harm of incarceration. Recent years…
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Mary Sweeney: 'David considered The Straight Story a very abstract film'
David Lynch's long-time production partner and writer of The Straight Story reflects on a legendary creative partnership and the gentlest of L…
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Looney Tunes: The Day the Earth Blew Up review – pure unbridled cartoon silliness
Daffy Duck and Porky Pig team up for a zany adventure in this delightfully wacky dose of cartoon hijinks. The Looney Tunes have admittedly fallen…
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Little Amélie review – a dazzling little film
Adapted from Amélie Nothomb's bestselling autobiography, this beautiful animated feature engrosses us in the world of a Belgian child living i…
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How representation of sexual assault is changing on screen
Two decades on from the beginning of the MeToo movement, more and more filmmakers are choosing to explore the lasting impact of sexual violence ra…
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Crime 101 review – strong cast, weak script
Bart Layton should probably be paying Michael Mann royalties, but his Los Angeles heist thriller is mostly serviceable. I should start by address…
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Good Luck, Have Fun, Don't Die review – tortured try-hard time travel
Gore Verbinski's return to big budget filmmaking is a disappointing slog that wouldn't even pass muster as a bottom tier Black Mirror epis…
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