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Amanda Seyfried: ‘This movie has changed me’
The Testament of Ann Lee review – expands the possibilities of filmed biography
Reprise and the search for authorial integrity
The Moment review – it's not that easy being green
In praise of crying at the cinema
Mona Fastvold: ‘I’m always searching for the perfect choreography between the camera and the performer’
Splitsville review – lacking on romance and comedy