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My Undesirable Friends: Part I – Last Air in Moscow review – an epic, vital project
Julia Loktev offers a chilling portrait of life in Russia as totalitarian screws were being turned, but also provides a sense of hope in presentin…
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D is for Distance review – a free-associative, psychogeographical collage
Louis Petit's experience of epilepsy marks the starting point for filmmakers Christopher Petit and Emma Matthews to embark on a wider, formall…
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The Queer Cinematic Magic of Robyn
As the queen of evocative dance pop releases her ninth studio album, it's a good time to reflect on how her music has become a phenomenon with…
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Pompei: Below the Clouds review – a stimulating and wry survey of modern Naples
Gianfranco Rosi offers a unique vision of contemporary Naples, mixing his interests in social structures, architecture, nature and the inner-lives…
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They Will Kill You review – limb-lopping cartoon action with a political twist
The English-language debut from Kirill Sokolov is a confident and feisty action-horror flick about the gory destruction of the family ideal. The…
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Kink in the Archive: The pleasures of porn in public
Helena Whittingham and Harlan Whittingham's careful curation enthusiastically invites audiences to consider porn as artefact and art. When ci…
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Orwell 2+2=5 review – Orwell for Dummies
Raoul Peck explores the life and legacy of George Orwell with this largely unedifying, unremarkable essay doc. The descriptor “Orwellian” has lap…
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