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Exit 8 review – one of the better translations of video game mechanics to cinema
A popular 2023 video game receives a big screen transformation thanks to filmmaker Genki Kawamura. Although the settings and specific genre trapp…
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Leonora in the Morning Light review – too many blank patches on the canvas
The tumultuous life story of Surrealist painter Leonora Carrington is somewhat explored in this gorgeously-shot biopic. In 2024, Surrealist artis…
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Mark Jenkin: ‘I like looking backwards in order to move forwards’
Fish-gutting lessons, seasickness and Cornish notions of home play into the writer/director’s superlative third feature. The devil is in the deta…
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Preliminary Visions of a Girl-Online
Dana Dawud's extremely online (but IRL) screening series, Open Secret, is all access, but little revelation. As AI – algorithms, image gener…
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Michael review – legacy management 101
This squeaky-clean, PR-driven chronicle of Michael Jackson’s life up to the release of the 1987 album Bad reaffirms his god-like genius and plays …
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Ultras review – shoots and scores
Ragnhild Ekner explores the mega phenomenon of football fan culture in this thoughtfully-crafted, passionate documentary. Swedish filmmaker Ragnh…
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Rediscovering Singapore's first action heroine
The crime-fighting, gun-toting lead of 1978's They Call Her... Cleopatra Wong was nearly lost forever. A new restoration celebrates her overlo…
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