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The Bride! review – it's alive, but at what cost?
Maggie Gyllenhaal's attempt at a riot grrl spin on The Bride of Frankenstein is a shambling corpse in dire need of a closed casket. At this p…
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Hoppers review – chipper critter comedy
A headstrong teenager plots against environmental destruction with the aid of the local wildlife in Daniel Chong's charming Pixar movie. The …
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The Elastic Worlds of the Looney Tunes
With insights from The Day The Earth Blew Up director Peter Browngardt, we salute the mad, mad, mad, mad worlds of Bugs, Daffy and co. The medium…
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How the Scream franchise's mask slipped
Between the firing of Melissa Barrera for supporting Palestine and a staunch refusal to innovate, the once-beloved horror series has reached new l…
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Diving into the SXSW film line-up
The new satirical comedy film from Boots Riley kicks off Austin’s 2026 celebration of movies, music and innovation. In a landscape where film fes…
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Sirāt review – a truly staggering, major film
A phenomenal and unique portrait of a group of thrill-seeking ravers enter into a spiritual abyss in this extraordinary new film by Oliver Laxe. …
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Daniel Blumberg: ‘The ingredients were there to make something special and unique’
Meeting the compositional maestro behind the complex web of sounds and rhythms in Mona Fastvold’s The Testament of Ann Lee. Daniel Blumberg is an…
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