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Inside this year’s London Palestine Film Festival
Nearly three decades since its inception, the London Palestine Film F…
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Being Heumann review – a feelgood nineties style throwback of inevitable triumph over adversity
This colourful profile of disability rights activist Judy Heumann sta…
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Fjord review – absolute trash
Cristian Mungiu takes a mad pop at the Norwegian child services syste…
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Prima Facie review – falters despite best intentions
The lauded one-woman play receives a big screen adaptation with Cynth…
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Women on the Sidelines: Offside at 20
Jafar Panahi's daring political comedy – filmed during a real foo…
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The colour of confinement in Raise the Red Lantern
Zhang Yimou's 1996 drama utilises a spectrum of colours to reflec…
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Martin McDonagh: ‘Avoidance of sentiment is always paramount‘
Writing a follow-up to his beloved The Banshees of Inisherin was alwa…
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