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The joy and struggle of the movie makeover
A staple of films aimed at women and girls, the movie makeover is abo…
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The Piano Teacher and The Limits of Desire
25 years on, Michael Haneke's psychosexual drama still has a rema…
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I’ve Seen All I Need To See review – grief in a rearview mirror
The desert provides some (but not all) answers for a woman’s trauma f…
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History Chasing Its Tail: On Jocelyne Saab’s Beirut Trilogy
As Lebanon faces attacks from Israel, Jocelyne Saab's films take on a renewed sense of urgency and sadness. “The June 1967 defeat was tantamo…
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The Devil Wears Prada 2 review – a stylish, satisfying sequel
Anne Hathaway, Meryl Streep and co. return for a legacy sequel that's not just nostalgia in a new frock. In the intervening 20 years between …
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Hokum review – pure poppycock
Adam Scott stars as a curmudgeonly author adrift in a haunted Irish hotel in Damian McCarthy's unoriginal horror. A recent assumption about m…
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The Sheep Detectives review – cosy doesn’t cover it
The hot new gumshoes on the block are CGI sheep in Kyle Balda’s amiable comedy about the murder of a beloved shepherd. Cosy crime gets a CGI spit…
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