Beating Heart: Discovering the Cinema of Kyrgyzstan
Inside the grassroots community of programmers, critics and filmmaker…
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John Waters: ’I’ve always been a les bro‘
A conversation with the Pope of Trash following new restorations of t…
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Evil Dead Burn | Rosebush Pruning | Fists in His Pockets (1965)
On Truth & Movies this week, we discuss Sébastien Vaniček's E…
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Shoot The People review – a powerful tribute to the camera as witness
Andy Mundy-Castle's stirring documentary charts the career of pho…
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Summertime Solitude: The Green Ray at 40
Transforming the idyll of summer into a landscape of alienation, Éric…
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Evil Dead Burn review – struggles to stay alight
An unfortunate family reunion turns bloodbath in Sébastien Vaniček’s …
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Our Hero, Balthazar review – perceptive dark comedy
When a wealthy New York teen is drawn into an online exchange with a …
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Black Money for White Nights – first-look review
An ageing Bulgarian couple plan to go on a dream holiday to St Peters…
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Rosebush Pruning review – a dark-hearted, button-pushing hoot
Karim Aïnouz turns Efthimis Filippou's twisted screenplay into a …
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The Invite | Nirvanna the Band the Show the Movie | The Exterminating Angel (1962)
On Truth & Movies this week, we discuss Olivia Wilde's relati…
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Birds of War review – boundary-breaking love story
Spanning 13 years of the Syrian Civil War, this documentary follows a…
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Where Comes La Cage: A Queer East Correspondence
In collaboration with the Queer East Film Festival, this year’s Emerg…
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Nirvanna the Band the Show the Movie the Article
Beyond the ever-growing title, the theatrical outing for cult comedy …
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