The Lost Children Of Tuam review – a sombre retelling of Ireland’s buried past
Monica Dolan excels as an amateur historian investigating mass child …
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Tenzing review – a familiar story reaches new heights
Jennifer Peedom’s mountaineering biopic offers a much-needed change o…
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Landscape Collector: the scout behind Hollywood’s changing landscapes
Leila Latif speaks to location scout extraordinaire, Lori Balton, abo…
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The Weight review – gold in them hills
Ethan Hawke excels in this likable trail western-cum-gold heist that …
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Digger review – a satire with no meaningful target
Tom Cruise hams it up as an oil-drilling oligarch in Alejandro Gonzál…
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Extra Geography review – a delightfully heightened take on girlhood
Molly Manners’s witty coming-of-age tale follows two schoolgirls who …
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Charles Melton: ‘It was like a waking dream’
Charles Melton on getting jacked up and fighting fit for his enigmati…
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The forgotten hybrids of Japan’s Y2K horror boom
With Crazy Lips and Gore From Outer Space resurfacing, we speak to J-…
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Sophie Thatcher: ‘It felt like the most I’d ever been seen’
Sophie Thatcher talks music, madness and surrendering to the strange …
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Nicolas Winding Refn: ‘I’d been given a gift to start over again’
Nicolas Winding Refn on his return to the cinema – and from the dead …
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Her Private Hell review – a wild new showcase of ambient brutality
Irrepressible and unique, Nicolas Winding Refn returns for some big-s…
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Sense and Sensibility review – a wildly beautiful successor
Jane Austen’s classic romance finds fresh life in Georgia Oakley’s mo…
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Hope review – a rip-snorting creature feature
Na Hong-jin returns with the most expensive Korean film ever made, a …
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