Pedro Almodóvar: ‘Everyone that surrounds a writer feeds their creation’
The Spanish maestro is in confessional mode with his stirring and sel…
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I Want Your Sex review – even a lesser Araki is still a delight
Gregg Araki returns after over a decade away with a defiantly horny r…
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Castration Movie Chapter iii.ii: Junior Ghosts – Premorphic Drift review – skin-crawlingly close to the bone
Louise Weard’s sprawling trans anthology gets its most accessible ent…
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Bitter Christmas review – dazzling, late-period jewel
Pedro Almodóvar is on a career-best streak, and this self-lacerating …
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The ASBOwave and the Cultural Politics of Broken Britain
The far-right‘s increasingly hostile culture war against migrants ech…
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What can we learn from cinema's Little Odysseys?
Rather than asking our blockbusters to deliver the nuance we demand o…
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Mission – first-look review
George MacKay gives his all in Paul Wright’s propulsive study of a yo…
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How Anne Hathaway Became the Mother of Millennials
Homeric queen, global pop star, magazine editor, aspiring novelist – …
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Pretty Babies – first-look review
Best friends Marie and Luna flee to Hollywood in pursuit of movie sta…
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Stop! That! Train! review – an amiable watch marred by egregious creative decisions
It wouldn’t be a bad thing if this was the last piece of Drag Race me…
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Teenage Sex and Death at Camp Miasma review – the freak shall inherit the earth
Jane Schoenbrun's third feature is a smart, sexy ode to the teen …
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Meet the Festival Director: Edinburgh International Film Festival 2026
As EIFF celebrates its 79th year, Paul Ridd reflects on the value of …
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Brittany Allen’s unlikely road to the Emmys
One of the stand-out guest stars of The Pitt series two submitted her…
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