I Love Boosters review – a technicolour takedown of capitalism
Boots Riley’s riotous anti-capitalist caper is a technicolour fantasi…
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Gentle Monster review – provocation without purpose
Léa Seydoux stars as a mother whose life unravels when her husband is…
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Primetime review – Pattinson's uncanny take on Hansen is a career high
Robert Pattinson cleanses the world of an ancient evil in Lance Oppen…
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Nightborn review – bad baby, bad movie
Hanna Bergholm maternal folk horror avoids logic and credibility at e…
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Wicker review – a swooning comic fairy-tale with a large side of spice
Olivia Colman finds her romantic ideal in Alexander Skarsgård’s liter…
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The Macabre Convergence of FW Murnau's Art and Life
On the centenary of his silent masterpiece and the release of 'Th…
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Lee Chang-dong: ‘Am I worthy of telling their story?’
The Korean maestro returns with a sumptuous survey of class, capitali…
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All Rivers Spill Their Stories to the Sea review – urgent, poignant and full of rage
Jeanie Finlay turns to the beaches of Teesside for her tenth document…
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Possible Love review – rich, thorny and multifaceted
Two couples from contrasting social classes brush up against each oth…
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Wildwood review – a tour de force of imagination-driven storytelling
Travis Knight's latest stop-motion fantasy is a magical, masterfu…
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The Wall Between Us: Possession at 45
Andrzej Żuławski's grotesque vision of a marriage collapsing is a…
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Making Marie Antoinette review – passing the baton
Pieced together from Eleanor Coppola’s behind-the-scenes footage and …
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Ray Gunn – first-look review
Brad Bird returns to animation with an absolute humdinger of noir-inf…
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7 Miles Out – first-look review
Carol Morley’s bittersweet chronicle of youth in revolt is lovingly r…
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Klara and the Sun review – send it back to the factory
Taika Waititi funnies up Kazuo Ishiguro’s beloved 2021 novel about th…
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