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Christmas Eve in Miller’s Point review – a lo-fi holiday classic in the making
T he holidays are a time for tenderness, togetherness, and falling asleep on the sofa after your third round of mince pies and sweet sherry. Most C…
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The transportive beauty of modern magical realism
I n magical realist families, reality flickers. For as long as I can remember, certain relatives carried a frenetic charge, punctuating the usual b…
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When did theatre become so reliant on film?
A s screen-to-stage adaptations go, taking on Stanley Kubrick and one of the most acclaimed comedies of all time is bold. But Dr Strangelove, which…
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The engrossing ’90s nonsense of Denzel Washington
D enzel Washington is a mighty actor, in possession of a gravitas most can only dream of, more than able to lend his talent to the works of Shakesp…
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Greek Cinema Now: A Postcard from the Thessaloniki Film Festival
H ow does one take the temperature of a national cinema? In a year when Greek directors like Yorgos Lanthimos, Athina Rachel Tsangari and Alexandro…
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Gladiator II review – are you not entertained?!
F ifteen years after the script to Nick Cave’s proposed sequel to Gladiator leaked, an official follow-up finally rides into cinemas, courtesy of …
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The Piano Lesson review – high-quality but low-impact work
I t’s no mean feat to adapt an acclaimed play for the screen. Stay too true to the source material, and it becomes claustrophobic and uncinematic. …
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