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The Regulars review – sweet and relatable
Cinema duty manager-turned-filmmaker Fil Freitas chronicles a fictionalised day in the life of the Prince Charles Cinema staff. Chances are if yo…
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In defence of the cinema date
Don't listen to the naysayers – there's nothing more romantic than the dark of the matinée. When I tell my friend that I’m writing a piec…
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Eva Victor: 'I used the title as a way to reward myself once I wrote it'
The writer/director/star of festival sensation, Sorry, Baby, on bellybutton piercings and finding a sombre humour and reflection in the subject of…
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Eddington review – a deeply cynical film for deeply cynical times
Everyone and everything has a target painted on their ass in Ari Aster’s gaudy portrait of American decline. Up front: I am not the world’s bigge…
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Sorry, Baby review – a film about holding on to each small, good thing
A brilliant young academic struggles to come to terms with the aftermath of a sexual assault in Eva Victor's moving dramedy. Something very b…
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My Grandmother Trelotótó review – a world of beautiful nostalgic imagery
Through various creative uses of non-fiction filmmaking, Catarina Ruivo crafts a poetic space to reanimate the memory of her beloved grandmother. …
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Nobody 2 review – a quick cash grab
Bob Odenkirk is back as suburban dad/deadly assassin Hutch Mansell in in a sequel that, ultimately, nobody will remember. After the surprise succ…
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