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LWLies 107: The Sinners issue – Out now!
T here’s a confidence and raw power to the cinema of Ryan Coogler that is astonishing in and of itself. From creating Sundance headlines in 2013 wi…
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The Woman in the Yard review – forgettable ghostly horror
D on’t you hate it when you lose your husband in a car accident which also shatters your leg and destroys your sense of self only to find yourself …
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Novocaine review – no pain, no gain
M ild-mannered bank worker and gaming enthusiast Nathan Caine (Jack Quaid) has spent his whole life avoiding potential injury. It’s not that he’s h…
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A Working Man review – a dire, forgettable actioner
O ne has to wonder if Jason Statham ever longs for more. His career as Britain’s premiere Hard Man export began back in the late 90s when he first …
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La Cocina review – powered by Raúl Briones’ manic performance
P op culture is hardly lacking for examples of how stressful operating a professional kitchen can be – from Campbell Scott and Stanley Tucci’s clas…
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Joshua Oppenheimer: ‘The End is an artefact of barbarism’
S ignalling his first foray into fiction film, Joshua Oppenheimer discusses the moral transference of documentaries The Act of Killing and The Loo…
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The End review – oddly charming but lacks climactic bite
T here are certain memorable dance sequences in Joshua Oppenheimer’s post-apocalyptic fiction debut that truly capture those joyful, living-in-the-…
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