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The Wild Robot review – a moving ecological parable
T he filmography of animation director Chris Sanders is full of unlikely friendships between man and beast: Lilo & Stitch and How To Train Your…
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Portraits of Dangerous Women review – pleasant to a fault
C amaraderie can come in many guises, and in Pascal Bergamin’s Home Counties runaround, Portraits of Dangerous Woman, it flourishes as the result o…
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‘It completely changed the course of my life’ – Shane Meadows on Dead Man’s Shoes at 20
“I t was probably the happiest shoot of my life,” says Shane Meadows of Dead Man’s Shoes, his hard-hitting revenge drama that reminds us all why we…
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Insane Clown Posse: has horror impacted the once noble art of clowning?
A big red nose, a wild wig, and a gaping grin stretching from ear to ear. A clown’s unique appearance is designed to spread joy and warm the heart…
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LWLies 105: The Bird issue – Out now!
W riter/director Andrea Arnold is an artist whose distinctive voice and arresting style have, rightfully so, established her as one of the greatest…
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Blitz – A vital fragment of the Steve McQueen saga
A cademy Award winner Steve McQueen returns with wartime odyssey, Blitz, retelling key moments of the siege on the capital during World War Two as …
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Alice Lowe: ‘I do want to make something timeless’
W e have been negatively conditioned into expecting way too much from our filmmakers. If a director doesn’t deliver a new movie on the dot of two y…
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