Lee Cronin’s The Mummy review – rotten to the core
The filmmaker behind the excellent Evil Dead Rise comes a-cropper in this incoherent and flabby possession horror where mummies amount to an incon…
Read more
Diamanti review – a joyful meta-melodrama celebrating female actors
Filmmaker Ferzan Özpetek underscores his own contributions to this lively 1970s-set melodrama charting a group of seamstresses as they produce cos…
Read more
How Beef shines a light on the pitfalls of reproductive healthcare
The second season of A24 and Netflix’s highly acclaimed drama eloquently demonstrates how healthcare inequality can derail your life. This articl…
Read more
Miroirs No. 3 review – no one is doing it like Petzold
German director Christian Petzold delivers once again with this deviously-structured psychodrama starring his current muse, Paula Beer. When sad-…
Read more
Cannes 2026 announces its sidebar line-ups
The full programme for this year's festival is complete with programme announcements from Director's Fortnight, Critic's Week and L…
Read more
The Blue Trail review – a winding and creative dystopian drama
This new feature from Gabriel Mascaro continues the Brazilian writer/director's keen interest in social realist depictions of wild political d…
Read more
The Wizard of the Kremlin review – ludicrous and self-aware, with Jude Law as young Putin
Olivier Assayas’ mad and maddening take on the mastermind behind Putin never quite lands a proper punch. If an almost-three-hour is-it-spoof-is-i…
Read more
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's.
Social Plugin