How representation of sexual assault is changing on screen
Two decades on from the beginning of the MeToo movement, more and more filmmakers are choosing to explore the lasting impact of sexual violence ra…
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Crime 101 review – strong cast, weak script
Bart Layton should probably be paying Michael Mann royalties, but his Los Angeles heist thriller is mostly serviceable. I should start by address…
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Good Luck, Have Fun, Don't Die review – tortured try-hard time travel
Gore Verbinski's return to big budget filmmaking is a disappointing slog that wouldn't even pass muster as a bottom tier Black Mirror epis…
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The President's Cake review – polished but broad-brush filmmaking
Hasan Hadi's debut feature is a bittersweet portrayal of a young girl's inner world filtered through life under dictatorship. Few birthda…
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Slices of life in the Sundance shorts section
Don't let the excitement of the ritzy feature premieres fool you – Sundance's brightest gems can be found in their excellent shorts progra…
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It's Never Over, Jeff Buckley review – a touching but incomplete portrait
Amy Berg's tribute to a singular artist is well-intentioned and often interesting, but doesn't quite live up to the its complex subject. …
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GOAT review – a visually spectacular sports underdog story
Tyree Dillihay’s feature debut is a charming ode to the lil guy, but its sports movie arc and lazy plotting means that it only just scrapes a vict…
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